Matisse (โดย Lawrence Gowing): สำรวจอัจฉริยภาพของ Henri Matisse ตั้งแต่ยุคที่เขายังวาดภาพเหมือนจริงไปจนถึงงานตัดกระดาษ (Paper Cuts) อันโด่งดัง ผู้เขียนได้วิเคราะห์เทคนิคและการเลือกใช้สีที่ดูเหมือนจะเรียบง่ายแต่ซ่อนความซับซ้อนทางความคิดไว้อย่างลุ่มลึก เหมาะอย่างยิ่งสำหรับผู้ที่ต้องการหาแรงบันดาลใจในการสร้างสรรค์ที่ก้าวข้ามขีดจำกัดเดิมๆ
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Matisse
Pages: 232
Artwork: 193 color illustrations
A richly illustrated survey of Matisse’s impact on modern art that also examines his career, techniques, aesthetics, and stages of artistic development.
The work of Henri Matisse has been both a profound inspiration to his successors and a source of infinite enjoyment to all who love art. Yet the apparent spontaneity of his color and ease of imagery were the fruit of a lifetime’s arduous labor; the simplicity of his compositions the result of a formidable intelligence.
In this updated edition of Lawrence Gowing’s 1985 study, he takes readers through Matisse’s career, assessing his influence on the art that has followed him, and looking closely at Matisse’s own achievements. The detailed discussion of individual works reveals the subtlety and complexity of one of the greatest masters of all time. From the modest realism of his first paintings to the grandeur of his gouaches cut out to create his signature masterpieces, this book follows Matisse’s artistic development through the decades. At the age of twenty, Matisse was employed as a lawyer’s clerk and he came to art relatively late, however, in the end, his artistic career would last sixty years.
Reproducing his art in full color, this book examines the works that defined his career and secured his legacy as an artist.
Reviews
No artist of the 20th century was so involved in the process of looking at the world and questioning that looking as Matisse—and Gowing understands this perfectly.
— Art in America
Literate, informed, and discerning.
— Choice
Contributors
Lawrence Gowing
Author
Sir Lawrence Gowing CBE RA (1918–1991) was an English artist, writer, curator, and teacher. Initially recognized as a portrait and landscape painter, he quickly rose to prominence as an art historian, authoring over fifty books and catalogs. Gowing served as deputy director of the Tate Gallery, London, and was a central figure in academic circles, holding teaching posts at the University of Leeds and the Slade School of Fine Art at University College London, as well as a professorship at the National Gallery of Art in Washington, DC. He was knighted in 1982 and elected Royal Academician in 1989.